Welcome back to our television serial making guidelines. If you will need a recap we'd already seen the fixed types of necessities like storyline, characters or sets. Now let's proceed to moving ones.
The Story and Dialogue Writers: Having just one single writer is really a risky proposition. You must ideally have a table of writers, if one doesn't blow out of his/her mind the others deliver. The constant storyline needs a similarly endless supply of dialogues to carry on the show episode by episode. In a certain scene you will need to create the maximum possible dialogues and for this the board of writers would come as a bonus. When they quarrel over it, that is only natural, maybe you obtain a brand new twist-wish idea to set up new angles-triangles or you will want to a good hyperbola in the story that could again generate new streams of dialogues. You will need to keep a watch on viewers too; boring them now and then is okay, but you should never drive them mad. The channel producers, remember?
The Director: As you will be the director you ought to be the toughest nut to break. Okay it's your child and naturally you want to be the leader and friend-philosopher-guide. In actual practice you should be a ruthless dictator taking decisions unilaterally and respecting nobody nevertheless the channel producers. In case a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; some people may have to be replaced; ushering in a time transition or injecting one and more absurd characters into the serial; and, so on. Each one of these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to keep one or two episode directors too as could be the case in several soaps. We have good reasons. First, one director is directly identifiable and is really a sitting duck for irate viewers, if any. Second, the endless monotony may be a lot of for you and you may lose your sanity. Third, are you aware that channel producers the buck will always stop exclusively at your end only.
The Time Pass: This time pass is from the viewpoint of serial makers, not viewers. Making an endless serial is not at all easy. So you should carry on creating rooms for frequent time pass tactics. You do it with merry go rounds of dramatic reaction shots parading all of your characters in the hall that could get you over one or more episodes; with dialogues that never cease; by providing extreme shock treatment to one or more characters who lose their power to speak and communicate only through loud music that could last up to one or more episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials carry on doing evil that could include even murder as law enforcement authorities are never called in, because entry of police may veer the serial to a logical end. You only compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the important thing to the success of constant serials. At the receiving end we could only try get used to it.
So, make your serial in India and have constant fun!
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